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Before Blade: Wesley Snipes in Streets of Gold (1986) Mix Flix 25 Views • 6 months ago

Saturday Feature Spotlight: Streets of Gold (1986)
Directed by Joe Roth
Starring Klaus Maria Brandauer, Wesley Snipes, Adrian Pasdar, Elya Baskin
MPAA Rating: R | Sports Drama

This Saturday on BlackTree Media, we spotlight an early performance from Wesley Snipes in the powerful boxing drama Streets of Gold.

Directed by Joe Roth (who would later become a major Hollywood studio executive and producer), the film tells the story of Alek Neuman (Klaus Maria Brandauer), a disgraced Soviet boxing coach who defects to the United States. Haunted by his past and stripped of his former prestige, Neuman finds purpose again by training two young amateur fighters — one of them played by a rising Wesley Snipes.

🥊 Set against the gritty backdrop of 1980s America, Streets of Gold explores redemption, immigration, Cold War tensions, and the universal language of sport. Snipes’ role showcases the early charisma and physical intensity that would later define his career in films like New Jack City, White Men Can’t Jump, and Blade.

This film stands as an important chapter in the Wesley Snipes canon — before he became an action icon, he was already bringing layered performances to dramatic roles.

✨ A story about second chances, mentorship, and fighting for dignity inside and outside the ring.

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BlackTree TV is your premier destination for the best in entertainment, culture, and lifestyle content. With a focus on in-depth interviews, exclusive coverage, and a dedication to showcasing diverse voices and stories, BlackTree TV brings you closer to the icons and influencers shaping our world. From the red carpet to behind-the-scenes, BlackTree TV provides an insider's view into the magic of movies, music, fashion, and more. For more exclusive content, interviews, and in-depth coverage, subscribe to our channel and follow us on our journey to celebrate the art of storytelling.

Copyright © BlackTree Enterprises Inc. All rights reserved. No part of this content may be reproduced, distributed, or transmitted in any form or by any means without the prior written permission of BlackTree Enterprises Inc.
For License inquiry please email [email protected].

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ASCAP or BMI? The Math Behind Which Pays More! Mix Flix 29 Views • 6 months ago

Choosing between ASCAP and BMI in 2026 isn't about which is "better," but which revenue engine is mathematically aligned with how you actually earn and collect music royalties—whether you're chasing high-volume radio spins and live performances (BMI) or high-value international royalties and weighted placements (ASCAP). This guide breaks down the critical differences in profit models, payout speeds, and credit systems to ensure you aren't leaving your music publishing money on the table by feeding the wrong system and making sure you understand how music royalties work. Stop treating your PRO like a simple membership and start treating it like the strategic financial foundation of your music career.

00:00 - Let’s Talk
00:47 - #1 How the Organizations Pay Themselves
02:10 - #2 Where Your Money Comes From (WHY One Wins Over the Other)
02:44 - 2.1 TV / Film Cues
03:20 - 2.2 Commercial Radio
04:45 - 2.3 Streaming (Audio vs Audio-Visual)
05:24 - 2.4 Live Performances
06:33 - 2.5 International Royalties
07:40 - #3 Bonuses vs Credits
08:43 - #4 Payout Schedules
10:04 - #5 Customer Service (Real-World Consensus)
10:50 - The Challenge

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Video Copyright © 2025 Music Money Makeover LLC (www.musicmoneymakeover.com)
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#musicmoneymakeover #ascap

DistroKid Is Selling... That's A Bad Sign Mix Flix 15 Views • 6 months ago

🟢 Free Case Evaluation: https://www.topmusicattorney.c....om/freecaseevaluatio
🟠 Say Hi On IG https://instagram.com/topmusicattorney

In this episode of the Top Music Attorney Podcast, Entertainment Attorney, Miss Krystle breaks down why the biggest independent music distributor in the world might be on the verge of a major sale and why it matters for independent artists. Millions of musicians rely on this platform to get their music out to Spotify, Apple Music, and YouTube, and the next shift could affect royalties, rights, and control over your catalog.

With leadership changes, massive subscription revenue, and industry consolidation happening behind the scenes all throughout the industry. This is something artists need to pay attention to.

0:00 Introduction
00:15 DistroKid Selling
00:30 DistroKid's Business Plan
00:49 How Much Money Is DistroKid Make?
01:16 DistroKid Valuation
01:30 DistroKid's Leadership
01:56 DistroKid vs. Other Distributors
02:17 DistroKid's Tiers
03:05 Music Distributor Add-Ons
03:38 DistroKid Making $100 Million
03:49 Music Businesses Cashing Out
04:20 What Does This Means For Artists Using DistrKid
04:50 Will DistroKid Update Their Terms Of Service?
05:12 What New Terms Will You Be Forced To Agree To?
05:52 Conclusion

Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
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The Story You Weren’t Taught: The Blacks Who Built AI Mix Flix 23 Views • 6 months ago

The Story You Weren’t Taught: The Blacks Who Built AI

They told you artificial intelligence was new.
They told you it was Western.
They told you it began in white rooms, with silicon and code.

They didn’t tell you the whole story.

Long before AI had a name, Black minds were building its foundations — the mathematics of decision-making, the logic of uncertainty, the systems of memory, the architecture of parallel computation, and the mapping of reality itself. Their work didn’t make headlines. It became infrastructure.

This film uncovers the erased lineage behind modern artificial intelligence — from David Blackwell’s decision theory and probabilistic logic, to Gladys West’s Earth-mapping mathematics that made GPS and location-based AI possible, to pioneers of hardware, software, collaboration, and parallel computing whose breakthroughs power today’s machines.

But this story goes deeper than names and inventions.

It traces modern AI back to African intelligence systems that mastered uncertainty long before machines existed — Ifá as a recursive decision framework built on binary logic, Lukasa memory boards as external cognition and non-linear databases, and Dogon astronomical knowledge that still unsettles modern science. These were not myths. They were systems.

Artificial intelligence is not a sudden revolution.
It is a return.

A return to probability over certainty.
A return to learning through revision.
A return to intelligence grounded in memory, pattern, and responsibility.

This is not about credit.
It’s about correction.

Because the future of intelligence cannot be understood without remembering who built its foundations — and why their names were removed from the story.

The story you weren’t taught.

#blackhistory

#africanhistory

#hiddenhistory

#blackinventors

#africanintelligence

#aihistory

#untoldhistory

#techhistory

#erasedfromhistory originality & Educational Use Disclaimer

All videos on African History Fountain are researched, scripted, and produced by me. My goal is to create original educational content that highlights Africa’s history and contributions to world civilization.

When I include reference images or short clips, they are always used for educational and commentary purposes and are transformed with my narration, graphics, and editing. Some materials are licensed or public-domain, and I always adapt them to support my original storytelling.

This approach aligns with fair use under U.S. Copyright Law (Section 107), which allows use for teaching, scholarship, and commentary.

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