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Before Blade: Wesley Snipes in Streets of Gold (1986) Mix Flix 20 Views • 4 months ago

Saturday Feature Spotlight: Streets of Gold (1986)
Directed by Joe Roth
Starring Klaus Maria Brandauer, Wesley Snipes, Adrian Pasdar, Elya Baskin
MPAA Rating: R | Sports Drama

This Saturday on BlackTree Media, we spotlight an early performance from Wesley Snipes in the powerful boxing drama Streets of Gold.

Directed by Joe Roth (who would later become a major Hollywood studio executive and producer), the film tells the story of Alek Neuman (Klaus Maria Brandauer), a disgraced Soviet boxing coach who defects to the United States. Haunted by his past and stripped of his former prestige, Neuman finds purpose again by training two young amateur fighters — one of them played by a rising Wesley Snipes.

🥊 Set against the gritty backdrop of 1980s America, Streets of Gold explores redemption, immigration, Cold War tensions, and the universal language of sport. Snipes’ role showcases the early charisma and physical intensity that would later define his career in films like New Jack City, White Men Can’t Jump, and Blade.

This film stands as an important chapter in the Wesley Snipes canon — before he became an action icon, he was already bringing layered performances to dramatic roles.

✨ A story about second chances, mentorship, and fighting for dignity inside and outside the ring.

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🗓 Tune in every Saturday for curated classics and deep cuts.

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BlackTree TV is your premier destination for the best in entertainment, culture, and lifestyle content. With a focus on in-depth interviews, exclusive coverage, and a dedication to showcasing diverse voices and stories, BlackTree TV brings you closer to the icons and influencers shaping our world. From the red carpet to behind-the-scenes, BlackTree TV provides an insider's view into the magic of movies, music, fashion, and more. For more exclusive content, interviews, and in-depth coverage, subscribe to our channel and follow us on our journey to celebrate the art of storytelling.

Copyright © BlackTree Enterprises Inc. All rights reserved. No part of this content may be reproduced, distributed, or transmitted in any form or by any means without the prior written permission of BlackTree Enterprises Inc.
For License inquiry please email [email protected].

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E-40: Tiny Desk Concert Mix Flix 58 Views • 12 months ago

This Black Music Month, Tiny Desk honors the anniversaries of landmark albums that have shaped the course of music and culture.

Bobby Carter | June 2, 2025
Bay Area ambassador E-40 moves with the energy of an up-and-coming emcee, but he's been around a minute. To put it 40 Water's way: "I've been doing this since Kermit the Frog was a pollywog!" Our biggest hurdle to clear was packing in three decades of music at the Tiny Desk, but 40 Fonzarelli and his band clocked weeks of rehearsal to make sure this office was rockin'.

E-40's sophomore solo album In a Major Way dropped in 1995, one of the most competitive years in hip-hop history, with certified classics dropping weekly by the likes of 2Pac, Mobb Deep, Goodie Mob, Bone Thugs-n-Harmony, Ol' Dirty Bastard, Raekwon and GZA. Straightforward and plain has never been E-40's nature, and that left-of-center spit has been the thing that has sustained his illustrious entertainment career.

At the Desk, Charlie Hustle sets things off with "Da Bumble" from In a Major Way and continues to bounce through a catalog of big hits sprinkled with nods to his day ones. Producer Lil Jon brought him back to the mainstream in the early 2000s with "Tell Me When to Go," "U and Dat" and "Snap Yo Fingers," while TikTok injected new life in "Choices (Yup)" and introduced him to Gen Z. "I'm on my fourth wind!" 40 tells us. No lies told.

SET LIST
"Da Bumble"
"Yay Area"
"Sprinkle Me"
"Captain Save a Hoe"
"Snap Yo Fingers"
"U and Dat"
"Choices (Yup)"
"Hope I Don't Go Back"
"1-Luv"
"Function"
"Tell Me When to Go"

MUSICIANS
E-40: vocals
Kev Choice: music director, keys
Bosko Kante: music director, background vocals
Martin Luther: guitar, background vocals
Howard Wiley: saxophone, EWI
Marcus Phillips: bass, keys
Dame Drummer: drums, background vocals
Silk-E The People's Champ aka Sherri Stack-A-Grip: background vocals
DJ KMP: DJ, background vocals

TINY DESK TEAM
Producer: Bobby Carter
Director/Editor: Joshua Bryant
Audio Technical Director: Josh Newell
Videographers: Joshua Bryant, Maia Stern, Kara Frame, Mitra I. Arthur
Audio Engineer: Andie Huether
Production Assistants: Dora Levite, Ashley Pointer
Photographer: Zayrha Rodriguez
Tiny Desk Series Editor: Lars Gotrich
Executive Producer: Suraya Mohamed
Series Creators: Bob Boilen, Stephen Thompson
VP, Visuals and Music: Keith Jenkins

#nprmusic #tinydesk #e40typebeat

Support for NPR Music comes from Capital One. Presenting sponsor of the 2025 Tiny Desk Contest. What's in your wallet? Learn more at CapitalOne.com.

#1 Mistake Artists Make With BMI & ASCAP Mix Flix 48 Views • 10 months ago

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In this episode of the Top Music Attorney Podcast, Entertainment Attorney, Miss Krystle discusses something that most artists completely overlook when registering their music with BMI, ASCAP, or any performance rights organization. Whether you're an independent artist, producer, or songwriter, this one issue could mean you're missing out on royalties or even risking your legal protection down the line. Are you registering your songs correctly? Is your PRO setup costing you money? This breaks down the biggest misunderstanding artists have about how PROs work and why it could hurt you if you’re not careful.

Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
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