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DistroKid Is Selling... That's A Bad Sign Mix Flix 20 Views • 8 months ago

🟢 Free Case Evaluation: https://www.topmusicattorney.c....om/freecaseevaluatio
🟠 Say Hi On IG https://instagram.com/topmusicattorney

In this episode of the Top Music Attorney Podcast, Entertainment Attorney, Miss Krystle breaks down why the biggest independent music distributor in the world might be on the verge of a major sale and why it matters for independent artists. Millions of musicians rely on this platform to get their music out to Spotify, Apple Music, and YouTube, and the next shift could affect royalties, rights, and control over your catalog.

With leadership changes, massive subscription revenue, and industry consolidation happening behind the scenes all throughout the industry. This is something artists need to pay attention to.

0:00 Introduction
00:15 DistroKid Selling
00:30 DistroKid's Business Plan
00:49 How Much Money Is DistroKid Make?
01:16 DistroKid Valuation
01:30 DistroKid's Leadership
01:56 DistroKid vs. Other Distributors
02:17 DistroKid's Tiers
03:05 Music Distributor Add-Ons
03:38 DistroKid Making $100 Million
03:49 Music Businesses Cashing Out
04:20 What Does This Means For Artists Using DistrKid
04:50 Will DistroKid Update Their Terms Of Service?
05:12 What New Terms Will You Be Forced To Agree To?
05:52 Conclusion

Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
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🟡Become Your Own Record Label:
https://www.topmusicattorney.c....om/becomeyourownreco
💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com
⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com
📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync
📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/
📄 Music Contracts: https://www.topmusicattorney.com/music-contracts
🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast
🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff
Miss Krystle Artist Links: https://www.misskrystle.com
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TOP MUSIC ATTORNEY SOCIALS
Links: https://www.topmusicattorney.com/links
Website: https://topmusicattorney.com/
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Tik Tok: https://www.tiktok.com/@topmusicattorney
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MISS KRYSTLE SOCIALS
Website: http://www.misskrystle.com/
Spotify: https://open.spotify.com/artis....t/1g6jAksCoujtcbg6zJ
Instagram: https://www.instagram.com/misskrystlelive
Tik Tok: https://www.tiktok.com/@misskrystlelive
Facebook: https://www.facebook.com/MissKrystleLive
Linkedin: https://www.linkedin.com/in/misskrystle/
Twitter: https://twitter.com/MissKrystlelive
Website: http://www.misskrystle.com/

How To Set Rates As A Producer, Mixer, Or Engineer - Never Feel Underpaid Again Mix Flix 42 Views • 2 years ago

In this episode of the Top Music Attorney Podcast, Entertainment Attorney, Miss Krystle dives deep into one of the most critical decisions for music producers: how to set your project rates. Underbilling is a trap many fall into, driven by the desire to help and be "fair." But at what cost? Miss Krystle shares real-world examples of why understanding the true value of your time and skills is crucial for survival in the industry. From determining whether you should ask for backend profits to figuring out if you're charging enough to cover your time, gear, and creativity—it's time to stop leaving money on the table.

Don't wait until it's too late. Protect your time, your creativity, and your business with smarter pricing strategies. Miss Krystle outlines how to make sure you’re getting paid what you're worth, whether you're a producer, mixer, or engineer every time. Whether you’re working on a flat fee or negotiating for backend points, make sure you're covered legally with contracts. If you're not factoring in administrative time or using your skills to add more value to your clients, you're losing money. Watch now and take control of your career before it’s too late.

How to Set Your Rates as a Producer, Mixer, or Engineer - Never Feel Underpaid Again
00:00 Coming Up
00:17 Introduction
01:15 Factors That Determine Rates
01:22 Time
02:33 Gear & Resources
03:27 Level of Creativity
04:02 Knowledge
04:43 Admin Time
05:34 Demand
06:22 Additional Value
07:51 Deals
08:03 Work-For-Hire
08:47 Upfront Payment With Backend Points
10:07 Upfront Payment With Net/Gross Percentage
11:07 Backend Points Only
11:50 Backend Points vs. Upfront Only
13:39 Example Rates
13:51 Engineer Rates
14:13 Editing Rates
15:03 Mixing Rates
17:23 Production Rates
19:50 Review
20:39 Negotiating
21:15 Conclusion

Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
------------------------------------------------------------------------------------
🟡Become Your Own Record Label:
https://www.topmusicattorney.c....om/becomeyourownreco
💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com
⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com
📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync
📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/
📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle
🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast
🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff
Miss Krystle Artist Links: https://www.misskrystle.com
------------------------------------------------------------------------------------
TOP MUSIC ATTORNEY SOCIALS
Links: https://www.topmusicattorney.com/links
Website: https://topmusicattorney.com/
Instagram: https://www.instagram.com/topmusicattorney/
Tik Tok: https://www.tiktok.com/@topmusicattorney?lang=en
Facebook: https://www.facebook.com/topmusicattorney
Linkedin: https://www.linkedin.com/in/to....p-music-attorney-164

MISS KRYSTLE SOCIALS
Website: http://www.misskrystle.com/
Spotify: https://open.spotify.com/artis....t/1g6jAksCoujtcbg6zJ
Instagram: https://www.instagram.com/misskrystlelive
Tik Tok: https://www.tiktok.com/@misskrystlelive
Facebook: https://www.facebook.com/MissKrystleLive
Linkedin: https://www.linkedin.com/in/misskrystle/
Twitter: https://twitter.com/MissKrystlelive
Website: http://www.misskrystle.com/

VIDEO SHOT AND EDITED BY:
Dukes Up Records

THEME / SHOW MUSIC BY:
That Orko

#producerrates #musicindustrypodcast #howtocharge

(PS5Pro) 007 First Light NEW AMAZING PLANE CHASE Mission Like Uncharted | Immersive Next-GenGraphics Mix Flix 25 Views • 12 months ago

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Like and Subscribe for more AMAZING Gameplays...

HUGE Thanks to IO Interactive for sponsering this video...

▶About Game...
007 First Light is an upcoming action-adventure game developed and published by IO Interactive. Based on the James Bond franchise, it will tell an original narrative inspired by the novels and short stories by Ian Fleming, and the film series starring the character. The game will depict James Bond's origin story, as he embarks on the mission he must complete to earn his licence to kill.

In 007 First Light, follow James Bond as a young, resourceful, and sometimes reckless recruit in MI6's training programme, and discover an origin story of the world’s most famous spy.

007 First Light will be available on PC, PlayStation 4 (PS4), PlayStation 5 (PS5), Nintendo Switch 2, Nintendo Switch, and Xbox Series X/S on March 27, 2026.

Gameplay Breakdown of 007 First Light -

Video Overview-

Gameplay Mechanics and Sequence Flow
The demo showcases a mix of stealth, combat, driving, and exploration in a cinematic, semi-open sandbox. Below is a detailed breakdown of the gameplay sequences and mechanics as observed:

Sequence 1: Chauffeur Drive (Tutorial):

Gameplay: Bond, disguised as a chauffeur, drives a Jaguar Land Rover to the chateau, transporting an NPC.
Mechanics:

Basic driving: accelerate, brake, steer in third-person view.
Cinematic camera angles emphasize snowy mountain scenery.
Minimal interaction, likely a tutorial for vehicle controls.

Details: Slow-paced, with ambient audio (e.g., radio chatter, engine hum). Feels restrained, setting up the mission’s stealth focus.

Sequence 2: Chateau Infiltration (Stealth and Exploration):

Gameplay: Bond infiltrates the chateau to gather intel on a rogue agent (009), navigating crowded interiors and guarded exteriors.
Mechanics:

Stealth:

Crouch to avoid detection, using cover (e.g., bushes, walls).
Climb ledges or rooftops for alternate routes.
Wear disguises (e.g., chauffeur outfit) to pass security checks.
Pickpocket NPCs for items (e.g., keys, documents).

Instinct Mode (regenerates via takedowns/objectives):

Lure guards for silent takedowns (e.g., chokeholds).
Bluff suspicious NPCs to maintain cover.
Highlight interactables (e.g., hackable cameras).

Environmental Interactions:

Trigger distractions (e.g., sprinklers, small fires).
Hack electronics (e.g., cameras, doors).
Use explosives (e.g., gas canisters) for chaos or kills.

Gadgets (Q Branch watch, accessed via radial menu):

Laser to cut locks/objects.
Smoke for cover.
Darts for non-lethal takedowns.
Hacking for security systems.

Exploration:
Sandbox chateau with multiple paths (e.g., vents, rooftops, main halls).
Parkour for climbing, though animations can seem rigid.

Details: Crowded environment with NPCs (guests, guards) creates a lively sandbox. Stealth is flexible but guard AI occasionally overreacts to distractions (e.g., sprinklers).

Sequence 3: Village Car Chase:

Gameplay: Bond drives an Aston Martin through a European village, pursued by enemies, dodging obstacles (e.g., carts, cars).
Mechanics:

Fast driving with tighter controls than the opening.
Third-person camera with dynamic zooms (e.g., during sharp turns).
Limited combat (e.g., ramming or evading enemy fire).

Details: Visually dynamic with market stalls and villagers scattering, but driving feels floaty, lacking weight. Audio includes engine roars and crashes.

Sequence 4: Combat Showdown (High-Altitude):

Gameplay: Bond engages in stealth and open combat, culminating in a high-altitude fight against enemies.
Mechanics:

Melee:

Smooth takedowns (e.g., punches, grapples), context-sensitive (e.g., using nearby objects).
More fluid than Hitman’s basic melee.

Shooting:

Third-person shooting with slight auto-aim.
Bond’s “rookie” style includes throwing an empty gun.
Instinct mode slows time for precise shots.

Gadgets:
Watch darts for silent eliminations.
Smoke for cover in firefights.

Transitions:
Gameplay flows into in-engine cutscenes for cinematic kills or escapes.
Details: Mixes stealth (e.g., dart takedowns) and action (e.g., shootouts). Animations occasionally “snap” unnaturally, but combat feels visceral.

Sequence 5: Cinematic Outro:

Gameplay: No player input; an in-engine cutscene closes the demo, teasing the rogue agent (009) and a conspiracy.
Mechanics: Purely visual, with no commentary, relying on ambient audio (e.g., wind, footsteps) and cinematic camera work.
Details: Maintains immersion with a cliffhanger, emphasizing Bond’s mission stakes.

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